Analisis ChatGPT atas Peran Neuroestetis dalam Teater

Authors

  • Yogie Pranowo STF Driyarkara

DOI:

https://doi.org/10.26593/jsh.v3i01.6677

Keywords:

teater, neuroaesthetics, empati, pengalaman estetis, chat GPT

Abstract

Appreciating a work of art, particularly in theater performances, often leaves humans overwhelmed with indescribable emotions. This is due to the role of empathy within human beings that relates to what is seen on stage. In theoretical studies, art can be enjoyed through phenomenological aspects and more empirical approaches. One of them is through the lens of neuroaesthetics. This article employs a qualitative descriptive approach using the ChatGPT AI. The conclusion is that the relationship between aesthetic experiences and brain function ultimately reinforces each other.

References

Acemoglu, J., & Johnson, S. (2023, February 6). What’s Wrong with ChatGPT? Project Syndicate.

Barolsky, K. (2021). Playback Theatre, Social Justice and Empathy: A Diffractive Review. Applied Theatre Research, 9(2), 117–132. https://doi.org/10.1386/atr_00052_1

Boal, A. (2013). Teater Kaum Tertindas (Terj. Landung Simatupang, Ed.). Yayasan Kelola.

Briones, E., Gallego, T., & Palomera, R. (2022). Creative Drama and Forum Theatre in Initial Teacher Education: Fostering Students’ Empathy and Awareness of Professional Conflicts. Teaching and Teacher Education, 117. https://doi.org/10.1016/j.tate.2022.103809

Carlson, M. (2004). Performance: A Critical Introduction. Routledge.

Catalano, J. (1974). A Commentary on Jean-Paul Sartre’s “Being and Nothingness.” The University of Chicago Press.

Cattaneo, Z. (2019). Noninvasive Brain Stimulation: An Overview of Available Approaches for Research in Neuroestetis. Empirical Studies of the Arts, 37(2), 153–171. https://doi.org/10.1177/0276237418818637

Clive, C. (2000). The Continental Aesthetics Reader. Routledge.

Corrêa, G. P. (2019). Longing and Belonging Through Migration: Otherness and Empathy in Theatre and Philosophy. Performing Ethos, 9(1), 55–66. https://doi.org/10.1386/PEET_00005_1

Creswell, J. W., & Creswell, J. D. (2018). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches. In New Horizons in Adult Education and Human Resource Development (Issue 3). Sage Publication, Inc. https://doi.org/10.1002/nha3.20258

Deriu, F. (2013). Performance Studies Floating Free of Theatre. Revista Alicantina de Estudios Ingleses, 26, 13. https://doi.org/10.14198/raei.2013.26.02

Gragl, P. (2021). Hegel’s Antigone : The Birth of the Constitution from the Spirit of Tragedy. ICL Journal, 15(4), 413–434. https://doi.org/10.1515/icl-2021-0020

Graves, J., Joyce, C., Hegazi, I., Newton, B. W., Ventura, S., Martingano, A. J., Grunberg, N. E., Barry, E. S., Wertag, A., Paulhus, D. L., Sachyani, D., Ronen, I., & Cockerill, A. P. (2023). Empathy (S. Ventura, Ed.; Advance Research). Intech Open. https://www.researchgate.net/publication/369649195

Hasson, Y., Amir, E., Sobol-Sarag, D., Tamir, M., & Halperin, E. (2022). Using Performance Art to Promote Intergroup Prosociality by Cultivating the Belief that Empathy is Unlimited. Nature Communications, 13(1). https://doi.org/10.1038/s41467-022-35235-z

Holt, J. (2013). Neuroestetis and Philosophy. SAGE Open, 3(3). https://doi.org/10.1177/2158244013500677

Islam, S. (2023, January 29). ChatGPT and Our Future. Daily Sun. https://www.researchgate.net/publication/369657310

Jami, P. Y., Walker, D. I., & Mansouri, B. (2023). Interaction of Empathy and Culture: a Review. Current Psychology. https://doi.org/10.1007/s12144-023-04422-6

Johann, M. R. (2021). Art, Experience and Alterity: Reflections in the Horizon of Ethical and Aesthetic Education. Revista Tempos e Espaços Em Educação, 14(33). https://doi.org/10.20952/revtee.v14i33.15315

Kaube, H., Eiserbeck, A., & Abdel Rahman, R. (2023). Separating Art from the Artist: The Effect of Negative Affective Knowledge on ERPs and Aesthetic Experience. PLoS ONE, 18(1). https://doi.org/10.1371/journal.pone.0281082

Konecni, V. (2015). Reflections on Psychological and Neuroestetis. Theoria, Beograd, 58(1), 5–15. https://doi.org/10.2298/theo1501005k

Leung, K. H. (2022). Sartre and Marion on Intentionality and Phenomenality. Theory, Culture and Society, 39(1), 41–60. https://doi.org/10.1177/02632764211024349

Mackenzie, T. (2023). Rationality and Presocratic Cosmology in Sophocles’ Antigone. The Journal of Hellenic Studies, 1–19. https://doi.org/10.1017/s0075426922000088

Mali, T., & Deshmukh, R. (2023). Use of ChatGPT in Library Services. International Journal of Creative Research Thought, 11(4). https://doi.org/10.1729/Journal.33816

Moran, D. (2013). Revisiting Sartre’s Ontology of Embodiment in Being and Nothingness. In Ontological Landscapes: Recent Thought on Conceptual Interfaces Between Science and Philosophy (pp. 263–294). De Gruyter. https://doi.org/10.1515/9783110319811.263

O’Sullivan, C. (2001). Searching for the Marxist in Boal. Research in Drama Education: The Journal of Applied Theatre and Performance, 6(1), 85–97. https://doi.org/10.1080/13569780020031816

Pearce, M. T., Zaidel, D. W., Vartanian, O., Skov, M., Leder, H., Chatterjee, A., & Nadal, M. (2016). Neuroestetis: The Cognitive Neurosains of Aesthetic Experience. Perspectives on Psychological Science, 11(2), 265–279. https://doi.org/10.1177/1745691615621274

Savaş, E. B., Verwijmeren, T., & van Lier, R. (2021). Aesthetic experience and creativity in interactive art. Art and Perception, 9(2), 167–198. https://doi.org/10.1163/22134913-bja10024

Shusterman, R. (2021). Aesthetic Experience at the Borders of Art and Life: The Case of the Man in Gold. Eidos: A Journal for Philosophy of Culture, 5(2), 103–111. https://doi.org/10.14394/eidos.jpc.2021.0020

Szubielska, M., & Imbir, K. (2021). The Aesthetic Experience of Critical Art: The Effects of the Context of An Art Gallery and the Way of Providing Curatorial Information. PLoS ONE, 16(5). https://doi.org/10.1371/journal.pone.0250924

Tonkoshkura, O. (2022). Theatre in the Age of Digital Technologies. Artistic Culture Topical Issues, 18(2), 30–35. https://doi.org/10.31500/1992-5514.18(2).2022.269774

Uribe, M. (2013). Perception and Interpretation in the Aesthetic Experience of Art. Proceedings of the European Society for Aesthetics. https://www.researchgate.net/publication/277306304

Published

2023-06-30

How to Cite

Pranowo, Y. (2023). Analisis ChatGPT atas Peran Neuroestetis dalam Teater. Sapientia Humana: Jurnal Sosial Humaniora, 3(01), 12–23. https://doi.org/10.26593/jsh.v3i01.6677

Issue

Section

Artikel-artikel: